Tuesday, February 12, 2008

Can a Cover Musician Communicate His Politics?

I'm a political person and I love my country. I'm also a liberal, and have been as long as I've been voting (and before I COULD vote, too). So, it should come as no surprise that I've been pretty miserable for the past seven plus years as I've seen the country I love and cherish almost capsize under the weight of a soulless, power-mad and murderous administration. For over seven years our leaders - in particular our stupid and vindictive (and how's THAT for a dangerous combination?) president and his Antichrist vice president - have made a mockery of our nation. Our reputation, here and abroad, is in shambles, while their words have spiraled into a cacophony of lies, hate, scandal and arrogance. It's appalling.

Here's the very, very, very, very tippiest tip of the iceberg:

  • Walter Reed patient treatment
  • Firing of US attorneys for political reasons
  • The outing of covert CIA agent Valeria Plame
  • The "war" in Iraq (WMDs? WTF?)
  • Halliburton's no-bid contracts/cronyism
  • And where IS Osama Bin Laden?
  • Blackwater - "private security contractors," AKA mercenaries with no accountability
  • The Military Commissions Act: torture, indefinite detention and the end of habeas corpus
  • Hurricanes Katrina and Rita, the destruction of New Orleans, the complete disregard for the black and poor, FEMA, "Heck of a job Brownie," "So many of the people in this arena here, you know, were underprivileged anyway, so this is working very well for them"
  • Warrantless NSA wiretapping
  • Homeland security: using fear to keep America in line and question free
  • Abu Ghraib torture
  • Tom Delay indicted for conspiracy to violate campaign laws
  • Mark Foley, chairman of the House Caucus on Missing and Exploited Children sending sexually explicit messages to pages
  • Larry Craig "going to the bathroom"
  • Global warming? What global warming?
  • Tax cuts for the wealthiest, for corporations and on capital gains
  • Astronomical deficit, vastly increased national debt
  • Immigration issues
  • Healthcare?
  • A growing poor and upper class and a shrinking middle class
I'm disgusted.

Now, you may or may not agree with my views, but we can all agree that here - in this blog - I'm free to state my opinions. Ah, but therein lies the rub: can I state my opinions while performing with my cover band?

Remember, a cover band ain't great art, nor does it perform original music. A cover band's purpose is to entertain, to excite and thrill and to take the audience on a walk through happy memories. So, as a singer who's also involved in the political landscape of our nation, I constantly walk that tightrope of keeping it light but expressing myself about the country, and world, around us. For, although I'm paid to entertain, I'm also a functioning human being who looks at the world and strains to deal with the emotions modern times brings.

At a gig a few weeks ago there were two soldiers, on leave, in the club. These guys were kids - KIDS, I'm telling you - no more than 20 years old. Yet, they were two weeks away from going back to Iraq to fight a war our president and his cronies orchestrated to solidify their hold as the first true American monarchy, to satiate their blood and oil lust and feed money into the coffers of those smart enough to hitch a ride on their wagon (war reparations, my friends, is a great business). This is a war we never should've started and certainly shouldn't be participating in now, yet we continue to sacrifice our young to this beast with no remorse nor recompense.

So - yes, on mic I spoke up about these two, stating that whether the crowd was against or for the war they NEED to be for these soldiers - these KIDS - and we NEED to get them home to their country, their families and their lives.

I wanted to say more, but good sense took hold and I simply told the two they were heroes to me. Shortly after that the band kicked into "Pink Houses," and I interjected the word "war" into the line "It's the simple man that pays the bills, the thrills, the WAR that kills." (ASIDE: if you think "Pink Houses" is a good ol' tune about great ol' America, read the lyrics a bit more closely. Neither it, nor Springsteen's "Born in the USA" are glowing reviews of the country's machinations and what it's become, though many people think they're both fist pumping "America! F&$k Yeah!" anthems. Newsflash: they ain't.)

And so? Am I any closer to figuring out if I have the right to communicate politics while performing with a cover band? I think the two examples above are as far as I SHOULD push it, and I have my original music to best make my point without pissing off the people who write the checks to pay for quality entertainment.

Still...I often wonder if, considering the circumstances, our lives in this world, the future of our children and our planet...

...I wonder if, sometimes, pushing the boundaries and shaking people out of the fog is worth having the boss shove a finger into my face.

Monday, February 4, 2008

Amazed, Proud, Cocky and Thankful

I'm not sure if I believe in epiphanies. As a temporary game changer, maybe, but as a permanent, life-changing experience? Not so much. After all, human beings are creatures of habit.

(Extremely) general example: let's say you have a near miss, a 502 meant for you. You slip through - even though you've been pounding Scotch all night long and your blood level equals Otis and Foster Brooks combined. You may temporarily quit drinking well before driving, but as a professional musician I've seen the old habits creep back to those blessed with a divine mulligan.

Or maybe you committed to a diet because your favorite pair of jeans are SO tight people can read the date on the quarter in your back pocket. So you start the diet, build some momentum, but eventually your friends start putting the plate of nachos too close to your fork hand, and...

Why am I blabbing about this? Because I might've had something approaching an epiphany, but maybe it was more of a "you've been drinking $200 wine out of a golden chalice and you're CHUGGING, dude!" If you've read any of my stuff here you know my band is pretty good. Solid. Dependable. We don't always get along, but by and large I knew I'd put together a tight, professional group that, thanks to our variety and skill, was able to get some good work along the way.

However - and I mean this honestly - I saw how really, really good, how versatile and amazing this band was last Saturday night. Now, keep in mind, when something's great over an extended period of time, it's easy to take it for granted (if you've ever had a relationship with a smokin' hot, generous and kind person you know exactly what I mean. John Lennon always said "Be Here Now," and as a grown musician and man I'm starting to GET IT.). Sometimes, efficiency equals complacency, and when a band keeps humming along you forget exactly WHAT it is you're accomplishing night in and out.

Seriously - being a part of something really good is almost dangerous. Slipping into the malaise of efficiency and dependability blinds you to the sparks and the fire of the creation itself.

So, here I am last Saturday, playing to a packed house in Sunset Beach. We're seconds away from downbeat, the band and the crowd's really up, the vibe is good - and I take a glance at the set list I'd put together earlier in the day.

The first fifteen minutes of music include:

Moon Dance (at about 150 BPM to make the thing swing HARD)
All My Loving
Every Little Thing
50 Ways to Leave Your Lover
The Way You Look Tonight
Signed Sealed Delivered

Seriously - that's absolutely nuts. A three piece with voice slipping from Jazz to 60s pop to 80s pop to Jazz/pop to Sinatra/big band to Motown?!

And this is just a small piece of the night. My Girl? Pour Some Sugar on Me? Le Freak? Love Shack? I Want You Back? American Pie? Everlasting Love? Slide? Come and Get Your Love? Spectrum, meet the other side of the spectrum.

So, there I was, right before Rob clicked in time for the first song, and it hit me: we're not just a good cover band - we're a DAMN good cover band, one that adapts and creates and plays whatever's necessary to make the gig happen. And not only do we play the stuff - we NAIL it, right to the wall, and then show it to the crowd like showing neighbors vacation pictures. It's crazy, and it's wonderful, and it's something many other bands just CAN'T do.

By the way, I'm not disparaging other bands - far from it. What I'm saying is my band's become so good at doing what it is we do it's become routine, and the spectacular and impossible's become commonplace to me.

But not after Saturday. Thanks, guys.